Ebook , by W. Wynn Westcott
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, by W. Wynn Westcott
Ebook , by W. Wynn Westcott
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Product details
File Size: 262 KB
Print Length: 90 pages
Page Numbers Source ISBN: 1511651857
Simultaneous Device Usage: Unlimited
Publication Date: October 9, 2015
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B016FQMBHM
Text-to-Speech:
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Amazon Best Sellers Rank:
#189,212 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
"The Chaldean Oracles of Zoroaster" edited and revised by Sapere Aude, with an introduction by L. O. (Percy Bullock) was first published by the London Theosophical Publishing Society in 1895. Wynn Wescott's role in this book is uncertain, as he's not given credit anywhere in the text. This edition is published by Gina Fanning in 2009. The fly-leaf is supiciously absent of identifying information commonly seen in most books.The entire book, from front to back, is printed in a ghastly, sadistic, painful-to-read ALL-CAP font. Typos don't even wait for the second line: the world "Chaldaean" comes out as "Chald-an". Apparently this font doesn't include an "ae". The fun doesn't stop there. The word "oracula" at first glance looks like "Dracula."Once the reader has gone through a teeth-grinding adjustment to the hell-font (and believe me, this is like adapting to the sound of a concerto for fingernails on a blackboard with orchestra), the reader must next adapt to L.O.'s sworn fealty to the Kabbalah. One enduring feature of the secret society folks of the 1890s was their relentless attempt to make everything fit into the Kabbalah, or conversely, to shoehorn the Kabbalah into every possible occult system (the tarot is a prime example). This isn't to say that the Chaldean schema doesn't have similarities to that of the Kabbalah. It does. But the obligatory Kabalistic shoehorning takes away from the unique features of the Chaldean view of the cosmos. L. O. subjects readers to statements like, "In considering this schema, it must be remembered that the supramundane Light was regarded as the primal radiation from the Paternal Depth and the archetypal noumenon of the Empyr-um (without the hell-font: Empyraeum), a universal, all-pervading -and, to human comprehension-ultimate essences." L.O. also treats the reader to a few obligatory Blavatskyisms and a really derogatory nugget of John Bull prejudice before signing off.Into the Oracles: each epigram is annotated as to its source, and these include a wide range of ancient manuscripts. The annotations are helpful and desirable, but the hell-font makes the indistinguishable from the epigrams.Words like Aeon (-on), daemon (d-mon), and the ever present Chaldaean (Chald-an) are waiting to trip up the reader throughout the text.A needed and valuable text, but hopelessly spoiled by the poor judgment of the publisher to use an illegible font. What a pity!
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